Friday, 2 September 2016


There is nothing inherently funny about being shot with a revolver at close range. Or stabbed with a knife in a back alley. Or being beaten to death by a blunt instrument. So how is it that murder can be funny?

It's a question I puzzled over quite a bit when I started to write the Crampton of the Chronicle series of humorous crime mysteries. There is a long tradition in literature of mixing dark deeds with comedy. Think Macbeth, where Shakespeare writes the hilarious scene with the drunken gate porter immediately after Duncan's murder.

But the question I had to answer was how to create a humorous crime series in the modern world. I was encouraged by the fact that other writers have done it with considerable élan. Janet Evanovich's Stephanie Plum is a brilliant comic creation.

I read lots of humorous crime mysteries and it seemed to me that the key to making murder a laughing matter laid in creating the central character. I realised I needed a protagonist who could solve mysteries - and win smiles.

But my hero could not be a mere clown. He had to be serious at the core but humorous in voice and manner. Karl Marx on the inside, Groucho Marx on the outside.

I was also struck by the fact that quite a high percentage of humorous crime mysteries are narrated in the first person. That is important because the first person gives the author the opportunity to let the central character tell his own story. The classic example of this, of course, is Raymond Chandler's hero Philip Marlowe.

The voice of the protagonist is the key to humorous crime fiction. It is the voice of the hero - essentially his inner perception of the events taking place around him - which either lightens or darkens the tone. The voice needs to be a unique way of seeing the world.

And that voice may set a whole range of tones - cynical, sardonic, flippant, sarcastic, resigned, angry, and many others. The voice of the hero should give the reader a humorous take on a mundane event - like a job interview. “I was calling on four million dollars,” says Philip Marlowe in Raymond Chandler’s The Big Sleep.

Someone said that comic characters see the world through the wrong end of the telescope. It’s their different view - so unexpected we’ve not considered it before - which creates the humour.

Colin Crampton, my hero in Stop Press Murder is a crime reporter on a Brighton evening newspaper. As a journalist myself, I’ve spent a good few years working with other journos. There are some who could “make a bishop kick a hole in a stained-glass window” (Chandler again) and others who never seem to catch a waiter’s eye. So it’s a milieu which offers plenty of opportunities for fun.

But Crampton’s humour also comes from a flaw in his character. He battles against odds to fight for justice - but he’s a master at pulling outrageous newspaper scams to get his stories. He reaches high, but acts low. He’s a knight in armour with a rusty sword.

Comic crime fiction, in one sense, is a sub-category of the traditional cozy mystery. It's important to ensure the reader never gets close enough to be splattered with the blood or smell the rotting corpse. In the Crampton series, Colin's investigations become something of a romp which he tackles with a cast of colourful characters - aided and abetted by his feisty on-off girlfriend, Shirley Goldsmith.

Since I started writing these books, I've been very encouraged by messages from readers who've enjoyed a lighter mystery than, for example, the gritty and often gruesome "Nordic noir".

But I've also learnt one important lesson about humorous crime fiction. No matter what difficulties Colin Crampton encounters, he must always have the last laugh.

Stop Press Murder: a Crampton of the Chronicle Mystery is published by Roundfire Books.

There is also a free Crampton taster novella - Murder in Capital Letters - available to download at

Thursday, 14 April 2016

20 Questions to Chris Chocopocalypse Callaghan

Today I am delighted to be able to introduce you to the staggeringly handsome, razor sharp brain and amazing sense of humour* of Chris Callaghan, author of The Great Chocoplot.

(*Disclaimer – his words, not mine.) 

Having been aware of Chris's existence on Twitter for some years now, I was very excited to read his debut novel, picked up by Chicken House at their very first Open Coop two years ago. I devoured The Great Chocoplot in one sitting - you can read my review here - and laughed my way to the end. It’s a wonderfully imaginative middle-grade story which I thoroughly recommend to everyone, but in the meantime, here’s a chance to get to know the man who wrote it...

1. When and why did you begin writing?
I’ve recently found lots of old school books and note pads and it seems that I’ve been writing stories since I first learned to write. There are even stories tucked away at the back of French and Maths books – I obviously wasn’t paying too much attention in class! I had various characters that I’d put into lots of different stories and would write my own episodes of Danger Mouse. Why did I write? I don’t know. It’s just something I’ve always done!

Wispa or Blocka Choca?
(Other chocolates are available)
2. What was the inspiration for writing The Great Chocoplot? 
I came up with the word ‘chocapocalypse’ while on twitter as a bit of a joke, but the idea festered away in my brain and I started to write the story. While writing, I remembered a time when I was at school and a new bar of chocolate was released into the shops. It was delicious and quickly became everyone’s favourite. What we didn’t know at the time, was that it was only being tested on Tyneside (where I’m from) to see if people would like it and there were only limited stocks available. It soon started to sell out and the rarer it became the more we wanted it. Until it eventually sold out everywhere! It was the first Chocopocalypse!! Luckily, this trial seemed to go well and a year or so later, the bar of chocolate was released nationwide. You can still get it today – it’s called a Wispa!

3. Who is your favourite character from this book and is he/she based on a real person?
I have a lot of fondness for the Dad. Some people have wondered if he’s based on me. He’s not that bright, but he tries his best – we have a lot in common!

4. What are your best and worst experiences as a writer?
I’m very new to being a published writer and luckily I haven’t had any bad experiences - yet! I had been looking forward to seeing my book on a shelf in a bookshop – I thought that would be the greatest part, but seeing it in the hands of readers is even better.

5. Which chocolate would you most like to be marooned on a dessert island with? (See what I did there?)
Oh yes, very clever! I’m very practical, so my first thoughts would be something I could ration out. Smarties would be easy to divide up and because of their coating might last longer too. My middle name is Bear-Grylls! (It isn’t, by the way.) 

6. What if the Chocopocalypse really did happen, what would you do?
I’d panic, obviously. Then I’d collect all the chocolate in the house and keep it safe. I’d even hunt out my wife’s secret chocolate stash. She says she hasn’t got one – but I’m not sure I believe her!

7. Do you write every day?
No. I can go for days without writing anything. But I am ALWAYS thinking about stories. It drives me mad sometimes, I can’t help it! I have a terrible memory for normal things, but I can store characters, scenes and dialogue in my head, no problem. I do most of my editing while doing the dishes and going to the shops. When I finally sit at my laptop, everything is pretty much ready to splurge out.

8. What is your least favourite part of the writing process?
Losing scenes that I’ve worked on and loved for so long. It is a vital part of the editing process, but I never realized until recently how much it hurts!

Clint Eastwood or Chris Callaghan?
9. Who would play you in the film of your life?
Clint Eastwood. I know he’s getting on a bit, but they can do a lot with make-up and CGI these days and I think he is the only actor that would be able to properly portray my cool, tough guy image. Why are you sniggering? 
(How did you know?)

10. What super power would you have, and what would you do with it?
I’d have the power of being able to pick things up off the floor without bending down. I know that might not sound impressive, but I’ve been a Stay at Home Dad for a few years and picking stuff up off the floor is a major part of my job. I’m not getting any younger and my back is getting creakier. I’d happily get stuff off the floor all day long if I didn’t have to bend down!

11. Do you have any unappealing habits?
According to my wife, I ‘snore like a dolphin’! Although, I’m not quite sure what she means by that.

12. What do you want to be when you grow up?
An astronaut. I’d be a bit scared during the taking-off bit, but the rest would be brilliant. Also, due to the micro-gravity in space, everything would float around and I wouldn’t have to pick up anything from the floor – perfect!

13. Do you believe in magic?
I have an engineering and scientific background and am always amazed and in awe of the wonders of the real world. I am a passionate believer in the magic of science. Does that answer your question?

14. Chocolate or wine gums?
Oh no, do I really have to choose? But I love wine gums … and I love chocolate … oh, I love wine gums … can I come back to this one please?

15. Who would you invite to the dinner party of your dreams – and what would you eat? (Ravioli with a slice of cheese?)
Ravioli and a slice of cheese is lovely, but it’s not my favourite. We’d have mince and mash – I ADORE mince and mash. I’d invite Dr. Watson - I’d love to go on an adventure with Sherlock, but I think he’d be an awkward dinner guest! Dr. Watson would be able to tell lots of great stories. Similarly, Arthur Dent from The Hitch Hiker’s Guide to the Galaxy (my favourite book), I’d love to hear him talking about where he’d been and who he’d met. Another great guest would be Chewbacca – imagine how much fun that would be! Finally, I’d invite either Ant or Dec (not sure which one) because I’d like to see what they look like when there is only one of them.

Not Chris Callaghan
16. Do you have any unique talents or hobbies? (Dancing obviously.)
Ah, so you’ve heard about my reputation as a dancer. I am very good. I’ve had to think long and hard about this and, to be honest, I’m struggling to come up with an answer. Although, while I’ve been thinking about it, I’ve managed to balance three massive American marshmallows on my chin. So there you go!

17. What are the best and worst jobs you ever had?
Being a Stay at Home Dad and having such an involvement with my daughter’s childhood is the best job I’ve ever had. The worst? While I was in the Royal Air Force in Scotland, we would spend a lot of night-shifts defrosting the taxi-ways ready for the jets. We couldn’t use salt or grit because it damaged the aircraft – so we used frozen pig urea (wee). When you’ve shoveled that all night in the wind and snow, it gets up your nose, in your ears and even in your mouth! Nasty!!

18. Do you have a bucket list? And if so, tell us something that’s on it.
I’m afraid not! I don’t look too far into the future. When I left the Royal Air Force I was given the present of a back seat trip in a jet fighter. I looped-the-loop at 600 miles per hour and I’ve just had a book published – these are the kind of things I suppose people have on their bucket list. I’m happily married and have a wonderful daughter – I know how lucky I am and don’t want to be greedy. Although, I’d like a new mobile phone – mine doesn’t keep its charge anymore.

19. If you could say thank you to someone, who would it be and why?
My mam, who unfortunately isn’t with us anymore. I didn’t say it enough to her.

20. What can we expect from you in the future?
As I’ve said, I don’t look too far ahead. I genuinely don’t know. I’ve got tonnes of ideas, but if this turns out to be my one and only published book, then I’m more than happy with that. I intend to enjoy my time as an author, regardless of how long or short it lasts.

Can I go back to Q.14? I’ve decided on chocolate. Definitely. No, hang on … wine gums are the best … no, chocolate … oh, this is torture!

Okay... you can have one of each.
Thanks very much, Chris. You've been very entertaining. 

If you want to find out more about Chris Callaghan, take a look at his website, or find him on facebook, twitter and instagram.

And if you want to read The Great Chocoplot (you do, you really do) you can buy it from all good book shops!

Saturday, 2 April 2016

The Chocopocalypse is Nigh...

My rating: 5 of 5 stars
The Chocopocalypse is less than a week away and Blocka Choca bars will soon be history...

What would you do if the end of chocolate was announced? Cry? Panic buy? Eat nothing but chocolate until it’s all over?

Yes, me too... but in Chris Callaghan’s wonderfully imaginative and hilarious story, Jelly (aka Jennifer Wellington) refuses to take the news lying down. Not only is chocolate at stake here, her family’s livelihood is threatened, as is the future of her hometown, the famous chocolate producing Chompton-on-de-Lyte.

Jelly starts to question the people around her (notably Mrs Bunstaple, Dodgy Dave, and last but not least the everso villainous Garibaldi Chocolati) and sets up a scientific experiment to prove or disprove the chocolate prophecy.

This is an adventure story with a difference. It’s funny, clever and full of gorgeous characters you care about. I loved Chris Callaghan’s hilarious human observations and the utter lack of seriousness in this book, and I laughed out loud many times. Sadly, my own children are no longer young enough to read to, but I’m going to hang onto it just in case I ever have grandchildren! (Assuming of course, I don’t go down with a-lotta-choca-litis in the meantime.)

Monday, 29 February 2016

What to do with your short story next...

This one's a winner...
even the dog can't tear himself away.
So, you've written a short story and you're very proud of it. You'd like to get it published...

Here are just a few ideas for publication and competitions.

Centum Press was launched this year (2016) as a new publisher that produces short story and flash fiction anthologies. They will pay each author royalties for his or her work.
They are looking for short stories and flash fiction between 500 and 1,500 words. 

Independent publishers of new short fiction.
Looking for short story submissions for publication in their anthology series; about people and places, rather than about writing itself.
Stories between 1,000 and 20,000 words in length; most of the stories they publish are between 2,000 and 7,000 words
They pay £15 per thousand words for stories they publish
£3 submission fee

This short story magazine welcomes short stories from new and established writers. 
Critiques offered on all unsuitable work (FREE for annual subscribers). At least 72 pages in each issue.
Stories should be no longer than 3000 words.

Comma publish an annual anthology. They are looking for stories between 1500 and 8000 words, usually with a theme. See website for requirements.

No cut off date. All types of story are welcome.
Three prizes every issue, of £300, £150, and £100
Stories MUST be between 1000 and 3000 words
Entry fee is £6 or just £3 for subscribers | Optional feedback for just £5

Closes 14th March 2016. For writers of all levels, writing stories on any subject, in any style.
1st prize £2,000, plus a week's writing retreat at Anam Cara and a day with a Virago editor
2nd prize is £500 | 3rd prize £250 |Three other finalists will each receive £100
All six winning stories will be published in the June issue of Mslexia.
2,200 word limit

Closes 31st March 2016. All types of ghost story welcome. But we may be more likely to respond well to psychological chills and unexplained mysteries than in-your-face gore!
Prizes of £500, £250, and £100
Entries between 1,000 & 7,000 words in length; longer or shorter entries will be disqualified.
Entry costs £8 

Closes 31st March 2016. Crime fiction/crime short story competition for previously unpublished writers. 
Prize: a week-long writing retreat at West Dean College, editorial feedback and six months mentoring from a Myriad author. 
Up to 5,000 words 
Entry fee: £10

Closes 31st March 2016. Competition for unpublished writers - theme of ‘An Extra Day’
Prize: £100 plus trophy
Stories of up to 2,500 words 
Entry fee: £5

Closes 15th April 2016. A new competition open to black, Asian, minority ethnic writers living in the UK and Ireland. “We want to read your story, whatever it may be.”
Prize: £1,000, and publication on the Guardian website.
8,000 word limit  

​Closes 30th April 2016. Stories may be on any theme but only humorous stories will be eligible for the Trisha Ashley Award.
Prizes: £500 + trophy | £150 | £100
In addition, The Trisha Ashley Award for the best humorous story:  £200 + trophy 
Winning and short listed stories will be published in an anthology.
10,000 word limit. There is no minimum word count.
Entry Fee: £10​

Closes May 1st 2016. NO THEMES | NO GENRES! “We’re looking for imaginative, surprising, absorbing and beautifully written stories that bring characters to life and elicit an emotional response from the reader; in short, well written tales that will appeal to both the head and the heart.”
Prize: £150, publication in the summer issue and on the website, and promotion on Shooter’s social media. |The runner-up will receive £50, publication on Shooter’s website, and promotion on social media. |All entrants will receive an e-copy of Shooter’s summer issue.
5,000 word limit | £7 entry fee

Closes Tue 31st May 2016. Highly prestigious award 
Prizes: 1st £5,000 | 2nd £1,000 | 3rd £500 | Highly Commended 10 x £100. 
The top winning short stories will be published in the Bridport anthology. The winning stories and shortlist will be read by leading London literary agents with a view to representing writers. The top thirteen eligible stories are submitted to the BBC National Short Story Award (£15,000) and The Sunday Times EFG Private Bank Short Story Award (£30,000)
Word limit: 5,000 words (no minimum). Title not included.
Entry fee:  £10 for each short story submitted.

Closes Tue 31st May 2016. Prizes: 1st £1,000 | 2nd £500 | 3rd £250 | Highly Commended 3 x £50
The top winning short stories will be published in the Bridport anthology... (as above)
250 word limit
Entry fee:  £10 for each short story submitted.

Closes 31st May 2016. WWJ are looking for the most captivating first page of a story. Entries can be from a novel published, unpublished, a part written novel, or simply a first page written purely for the competition. Entries will be judged anonymously.
Prizes: 1st Prize - £500 | 2nd Prize - £100 | 3rd Prize - £50
Up to 400 words
You can submit more than one entry.  First entry submitted is £6, and £4 per entry thereafter.

Closes 1st November 2016. Theme: 'Fear'
Prizes: £100 | £50.00 | £25.00  
The winning entry will appear in the winter edition of Scribble, which will be published during December 2016
Maximum length: 3000 words.
Entry Fee: £4.00

If you know of any more, please feel free to post them in the comments below. 

Happy writing, and GOOD LUCK!

A short story!

Here's a short story which was inspired by my day with Clitheroe Writers Group

My story ideas were chosen at random, and had to include:
1. A disabled suicide bomber
2. A voice coming from a can of beans

It's fair to say I wasn't delighted by this brief, but when I sat down to think about the possibilities, the following questions helped to stir my creative juices...

What if the bomber drops the can and runs? What happens to the voice inside?
What if he can't open the can?
What if a customs officer confiscates the can?
What if the voice in the can gives him away?
What if he is scared to die?
What if the voice is a ghost from the past?
What if the voice is his conscience?

Having thought about the possibilities of the story, I felt a little less daunted by the brief.
And this is what I wrote...

O is sweating. Like, really sweating. Drenched armpits, face shiny, hands clammy. He didn't think he'd feel this way. The big neon sign tells him the train is being prepared for boarding. He has a ticket, paid for in cash. No seat. No identifying marks. Even his mother wouldn't recognise him behind the dark glasses, with the white stick and stupid old man clothes they made him wear. 

He's twenty two for fucks sake. 

You'll be fine, they said. Getting your end away with all those virgins, just seconds after... Really? That quick?

But he trusted them. He never liked the way they swore black was white, and the way they seemed to forget that things didn't always turn out the way you expect. But he trusted them.

He grabs his rucksack. Watches people waiting for the train; his train. Families with little kids, an old man with a hunch back just like his granddad, a woman with a dog in her handbag, business men, a nurse with a washed out look on her face and greasy hair, still wearing her uniform...

His heart beats so hard in his chest he's scared it will go off before the rucksack. And then suddenly, pangs of hunger grab him. Is it hunger? It must be. His guts are grumbling, talking out loud, drawing attention to him.

An announcement: "FIVE MINUTES TO BOARDING."

His eyes are everywhere - that's why he wore the dark glasses. But people are still looking at him, or listening. He has to move away. There's a shop. Don't go in shops, they said. No human contact, they said. And he knows he shouldn't, but he stands up and limps towards the Spar.


A kid on a scooter scoots past. Nearly knocks him over. O watches the kid scooting up and down, up and down, and remembers when he had two working legs. They can do miracles with prosthetics now, but what's the point? It'll all be over soon.

Then a woman calls, "Tommy, come here. We're getting on the train in a minute."

And this kid, Tommy, is like clapping and cheering and he's so damn excited. Has he never been on a train? O remember his first time. The way the cows and sheep whizz past. The way you get a table with your seat. The way the ticket man lets you clip your own ticket...

For fuck's sake. Stop thinking.


Stomach still rumbling. Churning. O goes to the shop, buys a can of beans and a can opener. Pays cash. Doesn't make converstaion.


He opens the can, and that's when he hears the cry. He looks up. Thinks, it's the kid, but the kid is gone; queing up at the gate with his mum, and the old man like O's granddad, and the woman with the dog, and the nurse.O looks around. There's no one else close by.

He hears the cry again. O looks at the can. The voice is coming from the can. For fuck's sake. I'm losing it, he thinks. He knows.

Don't do it, says the voice in the can. You have a life to live, a family to raise, dreams...

And O knows that voice. He's heard it before. It's a woman. His mother? His sister? Gran? Or Aunt?


There is a rush through the gates.

O looks at the can, and knows what he has to do.

Short Story Starters

When we write stories we think in terms of Character and Conflict, and how these inform Plot.

At my recent Short Story Writing Day with Clitheroe Writers Group, we did the following exercise to find inspiration for our stories.

1. Write a list of characters who have some sort of conflict in their life; perhaps in their personality, their job or their environment. 

2. Write another list of unusual or difficult situations which a person may find themselves in.

3. Pick one random thing from each list (or get someone else to do it for you). This is the basis for a story. 

4. Now, write a list of about 5 'What if' questions? These will  help you think about the possibilities for the story you are about to write. 

5. I suggest a cup of tea at this point, to give your ideas time to gel, but after this short break, sit down and write. (Remember it is only a first draft - you have time to polish afterwards.)

Clitheroe Writers enjoying their tea break 
CWG writers came up with some wonderful ideas and very unexpected stories. The thing about this exercise (especially if you do it as a group) is that it forces your imagination to work outside the box and think of stories you wouldn't normally dream of writing. My own particular story on this day was about a disabled suicide bomber who heard a voice coming from a tin can, which was definitely not something I would normally have tackled. But tackle it I did! You can read the first draft here...

If you would like to have a go at this writing exercise, here are some of the ideas we came up with in Clitheroe. Feel free to use all or some of these, or invent your own.

1. Child, who cannot swim 
2. An alcoholic, with OCD
3. Teacher, who shoplifts 
4. A disabled suicide bomber
5. A child who thinks he can fly
6. Zookeeper, obsessed with celebrity 
7. Barber, who sees ghosts 
8. Chef, with emotional incontinence
9. Grandma, with a guilty secret
10. Nurse, with a phobia
11. Father, who longs to dance
12. Priest, who cannot forgive
13. Little girl, with a broken gun
14. A jealous housekeeper
15. A passive aggressive bank manager
16. A very tall pot-holer
17. Lollipop lady, with Tourettes
18. Ambulance driver, who thinks he is a vet 
19. Builder, who writes poetry
20. A school teacher who is part alien
21. A butcher who hates his wife
22. A writer with a dictionary phobia
23. An out of work mercenary
24. A lingerie model with a large pimple on her bum
25. A father with a secret
26. A politician with morals
27. A little boy with a superpower
28. A mother who longs to parachute
29. Identical twins with narcissistic personality disorder
30. A sailor who gets sea sick

1. Mistaken identity
2. Being stalked
3. Caught in a snowstorm
4. Applies for a job s/he is not qualified for
5. The house is flooded
6. A sink hole opens up
7. Wakes up in the wrong bed
8. Gets stood up
9. A body falls from a motorway bridge
10. Forgets their money
11. Tied to the railway track
12. Takes responsibility for a crime they didn’t commit
13. Wears the wrong shoes
14. Finds a head in the fridge 
15. Builds a giant sandcastle
16. Slides envelope under the door
17. Steals an umbrella
18. Trapped in a lift
19. Caught eating in the library
20. Pulls out the wrong plug
21. Laughs at a funeral
22. Hooks a briefcase from the canal
23. Eats the wrong cake
24. A voice coming from a can of beans
25. Falls inappropriately in love
26. Sees themselves on the news
27. Stands on a cliff edge
28. Finds the neighbours dog is dead
29. The boat leaks
30. Caught masturbating by someone they know

Saturday, 27 February 2016

Writing Short Stories - The Alphabet Challenge

Last week I was lucky enough to be invited to Clitheroe Writing Group to lead a day of short story writing. We talked about what makes a good short story and came up with a few ideas, but we also agreed that there was no absolute right or wrong way. Short stories come in all shapes and sizes and different stories work for different readers.

However, one of our warm up exercises was the alphabet challenge...

Write a story in which each word begins with a different consecutive letter of the alphabet, beginning with 'a' and ending with 'z'. (You can use connectives and conjunctions and anything else to make the story work, but keep the word count to a minimum. Your story will be a minimum of 26 words long.)

Of course, everyone could come up with 26 random words without connection, but when you do this exercise you realise you are driven to think in terms of a character (of some description), that something needs to happen to change this character (conflict), and that we have an inbuilt need to think in terms of plot. It's a tall order with such a restictive brief, but incredibly, there were some rather good stories which came out of this.

Arthur Baxter's cat delivery enterprise flourished...

Mostly, we agreed that a short story should have the same elements as a novel (ie. plot, story arc, conflict, character development and transformation) but be significantly shorter and less complex than a novel. A short story is a snapshot of a life – rather than the whole of it, and generally the plot revolves around one conflict, one (or two) main characters, and be told from a single point of view. It is usually set in one place and covers a short period of time. Also, a short story should begin as close to the climax as possible, and equally important, it should end as quickly and efficiently as it started, often with a twist.

I don't think we agreed on description. My pesonal view is that description slows down the action, but not all group members agreed with me ... and some of their descriptive passages were simply lovely. As mentioned earlier, different stories work for different readers.

As far as length goes... stories of 20,000 words are short compared to a novel, and I have seen several reference to short stories up to 10,000, but I think an upper limit of 5,000 fits the criteria (one main character, one conflict, a snaphot of life etc). As far as lower limit goes, we are looking at anything from 140 characters up. Flash fiction stories don't typically exceed 1,000 words. Micro fiction stories are sometimes defined as having fewer than 300 words. Drabble fiction stories have fewer than 100 words; Nano fiction has fewer than 55 words; Twitter fiction, aka twitterature, has 140 characters maximum...

It seems to me, that a short story is pretty much whatever you make it... but you still need characters, conflict and plot. 

Want some more inspiration? Read my next post for some story starter ideas...

Wednesday, 27 January 2016

Young Carers Awareness Day #YCAD

Young Carers Awareness Day takes place tomorrow, on January 28th. This is a national day of recognition for all the young carers in the UK who work around the clock providing care and support to family and friends.
Bring Me Sunshine gives an insight into the issue of children acting as carers for a family member. A recent survey estimated that there may be as many as 700,000 young carers in the UK, with an average age of 12.
The definition of a young carer is a child or young person whose life is affected by looking after someone with a disability or long term illness, including a mental illness, learning disability, drug or alcohol dependency, frailty, or old age. The young person may be the sole carer, or he/she may assist in the care of a parent, sibling, other family member or friend. The care they give may be practical, physical, and emotional.
Sometimes, as with Daisy and Sam in Bring Me Sunshine, children don’t realise they are young carers, and just carry on doing what needs to be done. 
Young carers often 
·           have more responsibility than other children
·           worry about themselves and family members
·           feel sad 
·           feel scared 
·           feel anxious about the future
·           don’t get enough sleep or rest, and are tired
·           miss school
·           have difficulty concentrating at school 
·           find it difficult to stay friends with other children 
·           get bullied
·           don’t know who to turn to for help
Young Carers Awareness Day is a day dedicated to getting everyone talking about the thousands of young carers who are so often unidentified, and who miss out on vital services and support they are entitled to.
To help raise awareness these issues, Bring Me Sunshine is free to download on Kindle on January 28th. You can also enter my free prize draw to win one of three free copies of the book. And if you would like to use Bring Me Sunshine as a resource in schools, contact me for discounted books and free KS2 and KS3 activitypacks
If you're a young carer, and would like to talk to other young carers, why not join in the conversation at Babble? Babble has been created by Carers Trust as an online space where those aged under 18 who are caring for a family member or friend can chat, share their experiences and access information and advice.

Saturday, 5 December 2015


There’s an early Christmas present this year for crime fans who like to read cozy mysteries on their Kindle.

Murder at the Chronicle - with five Crampton of the Chronicle short stories - is free to download from 11 to 15 December.

The stories include a seasonal special - The Mystery of the Phantom Santa - with a real Yuletide feel-good ending. Colin Crampton discovers more than he bargained for when he investigates a small boy’s claim to have seen Father Christmas from his bedroom window.

One of the series’ most popular characters, Colin’s girlfriend Shirley Goldsmith, makes an appearance in The Mystery of the Two Suitcases. Colin interrupts a romantic Valentine’s date with Shirley to unravel a puzzle with a surprising twist.

In The Mystery of the Precious Princess, Colin finds that it’s not only a dog’s life for the canines up at Hove Greyhound Racing stadium.

The Mystery of the Single Red Sock, takes Colin on a hunt for one of the most dangerous crooks he’s ever confronted.

And in The Mystery of the Clothes on the Beach, a local fisherman helps Colin land a surprising catch.

Murder at the Chronicle also contains two bonus chapters from Headline Murder, the first full-length Crampton of the Chronicle novel, also available as an e-book. Headline Murder is on special offer for Kindle readers - just 99p, saving £4 on the normal price - during December. Click here to read my review of Headline Murder.

If, like me, you are a big fan of Peter Bartram's wonderful Brighton based crime mysteries, (and even if you're not!) go grab yourself a free read. You won't be disappointed.

Thursday, 22 October 2015

7 Building Blocks for Suspense

Here's another blog post from my now defunct Magic Beans blog which feels kind of relelvant to me at the moment. If you're trying to write suspense, perhaps you might find it useful too...

Readers will be drawn to your writing for all sorts of reasons, but one of the ways to keep them there is to build suspense. Keep them turning the pages of your book, whatever the genre, and you will have a happy reader. 

Tinkerbell had found the perfect
place to hide...
1. Show us your protagonist’s weakness
Maybe she has a major character flaw, a debilitating phobia, or a secret from her past. Show us her flash of violent anger, her frozen fear of heights, or that humiliating moment of past failure, at the beginning of the story and build up to the moment when it is exposed to others. As readers, we will know the moment is coming; we will empathise with your protagonist and dread the moment as much as she does. Chances are, we will all be biting our nails in expectation.

2. Make the Wicked Witch really wicked
You know we should fall in love with your protagonist don’t you? Well, one way of nudging that along a bit further is to pull out all the stops and make your antagonist really nasty.

and Monty thought he was safe too...
3. Think the worst
What’s the worst thing that could happen to your main character? Go on, make it happen. They’re going to have to deal with some pretty tough obstacles anyway, so why not make them tougher? Problems to be overcome are what stories are about, after all. Without conflict there is no plot, and no plot = no suspense.

4. Show us the danger
For your reader to understand the gravity of a dangerous situation, you may have to show us exactly how real the danger is by hurting another character first. This gives us the chance to feel the fear and anticipate the worst, and of course also allows for tremendous relief when the danger has passed.

But Buster had a new trick that
neither of them knew about...
5. Up the stakes
If you’re going to build tension, you’re going to have to keep upping the stakes, creating bigger and bigger obstacles for your protagonist to overcome, until you reach one so big there’s no way they are going to escape. (Except of course they will. That’s the point.)

6. Go against the clock
Set a deadline - a time, a day, a week… something specific. That way your reader will know exactly when the dramatic climax is upon them and they will feel a real sense of urgency.

7. Employ the unexpected...
...but don't rely on it. While you might be tempted to let your characters do something unexpected, if you do it too much, you risk losing your reader. Suspense is about what might happen and involving your reader in the build up to that event is crucial.